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Then, as the first note of a night-bird came soft and fluted from a distant willow copse, Billy took his hand and drew him up along the corduroy road stretching through the shadows. He was a figure striking in its way as he made these bows, with his long, snow-white hair, his heavy white eyebrows, his long curling nose, the purely congenital satiric leer that characterised the formation of his thin lips; and his faded dress, which was a very good representation of his mind, aided the impression produced by his face. "Say, Billy," he cried, "your Ma an' Pa's there.".
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Billy paused and rolled a bread crumb. When he looked up his eyes were dark. "Anse has told you that it was me who sneaked him out o' the yard, an' led him away where he could feed an' rest an' get the sores made by the hard saddle an' hickory healed, an' Anse didn't lie fer once. I did do it, an' I'd do it ag'in. "Maybe jest 'cause you're a sneak," Billy answered, "but you're my brother an' I don't want anythin' horrible to happen to you if I kin help it. The best thing fer you to do is keep mum, an' when you see me strikin' off anywhere look t'other way." "Hurrah!" shouted the delighted boys. "We knowed you'd find a way to fix him, Billy." Lucy had now taken her seat at the piano,[Pg 74] and as the airs her aunt desired were well known to her, she played them from ear, whilst Miss Acton in her stiff-backed chair, kept time, with much facial demonstration of enjoyment, with her starched cap and hood..
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